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日本出版商呼吁OpenAI停止使用受版权保护内容训练AI
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日本贸易组织代表吉卜力工作室等出版商,致函OpenAI,要求其停止未经许可使用其版权内容训练AI模型。吉卜力工作室的作品,如《千与千寻》,受AI生成内容影响尤为严重。OpenAI的ChatGPT图像生成器和Sora视频生成器,使用户能够生成受版权保护的角色的图像和视频。日本内容海外推广协会(CODA)认为,在机器学习过程中复制特定版权作品可能构成侵权,并强调在日本版权体系下,使用版权作品通常需要事先许可。尽管美国法律对AI训练使用版权材料的规定尚不明确,但日本的立场是,事后补救无法免除侵权责任。

🎌 日本出版商,包括以吉卜力工作室为代表的贸易组织,已正式向OpenAI发出呼吁,要求其停止在未经授权的情况下使用受版权保护的内容来训练其人工智能模型。这一行动源于对AI生成内容侵犯其成员知识产权的担忧,特别是吉卜力工作室的作品被广泛用于AI艺术创作,甚至OpenAI的CEO也曾使用过“Ghiblified”风格的头像。

⚖️ 日本内容海外推广协会(CODA)明确表示,在机器学习过程中复制特定版权作品的行为,可能构成版权侵权。CODA引用日本的版权法体系,强调使用受版权保护的作品通常需要事先获得许可,并且事后提出异议并不能免除侵权责任。这一立场与OpenAI“先斩后奏”的工作模式形成鲜明对比,后者曾因类似问题收到来自任天堂和马丁·路德·金博士遗产管理方的投诉。

💡 尽管美国在AI训练使用版权材料方面的法律尚不明确,近期一项联邦法官裁定Anthropic在AI训练中使用受版权保护书籍的行为不构成侵权(但因盗版书籍被罚款),但日本的法律框架对此持不同看法。CODA认为,即使在美国法律下不被视为侵权,在日本的版权体系下,这种行为可能仍被视为违规,这为OpenAI在全球范围内处理版权问题增加了复杂性。

🎨 动画大师宫崎骏本人对AI生成他作品的模仿表示“深恶痛绝”,认为这“侮辱了生命本身”。虽然他未直接评论此次事件,但其过往的言论强烈表达了对AI技术在艺术创作领域应用的保留态度。这反映了部分创作者对AI技术可能带来的原创性挑战和艺术价值贬低的担忧。

A Japanese trade organization representing publishers like Studio Ghibli wrote a letter to OpenAI last week, calling for the AI giant to stop training its AI models on their copyrighted content without permission.

Studio Ghibli, the animation studio behind films like “Spirited Away” and “My Neighbor Totoro,” has been especially impacted by OpenAI’s generative AI products. When ChatGPT’s native image generator was released in March, it became a popular trend for users to prompt for recreations of their selfies or pet pictures in the style of the studio’s films. Even OpenAI CEO Sam Altman changed his profile picture on X to a “Ghiblified” picture.

Now, as more people get access to OpenAI’s Sora app and video generator, Japan’s Content Overseas Distribution Association (CODA) has requested that OpenAI refrain from using its members’ content for machine learning without permission.

This request does not come unprompted. OpenAI’s approach to working with copyrighted content is to ask forgiveness, not permission, which has made it all too easy for users to generate photos and videos of copyrighted characters and deceased celebrities. This approach has yielded complaints from institutions like Nintendo, as well as the estate of Dr. Martin Luther King, Jr., who could very easily be deepfaked on the Sora app.

It’s up to OpenAI to choose whether or not to cooperate with these requests; if not, the aggrieved parties can file a lawsuit, though United States law remains unclear about the use of copyrighted material for AI training.

There is little precedent thus far to guide judges on their interpretation of copyright law, which has not been updated since 1976. However, a recent ruling by US federal judge William Alsup found that Anthropic did not violate the law by training its AI on copyrighted books — the company did get fined for pirating the books it used for training, though.

But Japan’s Content Overseas Distribution Association (CODA) claims that this may be considered a copyright violation in Japan.

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“In cases, as with Sora 2, where specific copyrighted works are reproduced or similarly generated as outputs, CODA considers that the act of replication during the machine learning process may constitute copyright infringement,” CODA wrote. “Under Japan’s copyright system, prior permission is generally required for the use of copyrighted works, and there is no system allowing one to avoid liability for infringement through subsequent objections.”

Hayao Miyazaki, one of the central creative figures of Studio Ghibli, has not commented directly on the proliferation of AI-generated interpretations of his work. However, when he was shown AI-generated 3D animation in 2016, he responded that he was “utterly disgusted.”

“I can’t watch this stuff and find it interesting,” he said at the time. “I feel strongly that this is an insult to life itself.”

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OpenAI 人工智能 版权 吉卜力工作室 AI训练 日本 CODA AI copyright Studio Ghibli Japan AI training
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